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If Soderbergh’s original - inspired by the “male entertainer” days of star/producer Channing Tatum - seemed a throwback to the Tom Cruise movies of the ‘80s (I’m thinking specifically of movies like Cocktail, Top Gun, The Color of Money, and Days of Thunder, whose basic premises were all: “Tom Cruise is the world’s best _”), XXL most closely recalls a heist movie, in which a gang of thieves gets back together for one last score. Magic Mike ended with Foreigner’s “Feels Like the First Time,” and it seems like they missed an opportunity by not closing MM XXL with “Nothin’ But a Good Time.” But if the film looks and moves like a Soderbergh movie, it has a different feel than the original it’s lighter, for good and ill, an encore without much of an agenda. So if Soderbergh wasn’t calling the shots, he was certainly involved enough in the production that some will wonder - probably unfairly - how much actual directing Jacobs did. And the director is Gregory Jacobs, Soderbergh’s assistant director on pretty much everything he’s done since his third film, King of the Hill. He doesn’t direct this time around - but he’s the cinematographer (under his usual pseudonym, Peter Andrews), and the editor (under his usual pseudonym, Mary Ann Bernard), and the executive producer (under his own name). is a Steven Soderbergh movie not a Steven Soderbergh movie? That’s the question asked by Magic Mike XXL, the new sequel to Soderbergh’s 2012 hit and the first film in which he’s been a major player since his “retirement” the following year. There's plenty of saucy (and quite impressive) dancing to keep the majority of this film's audience happy, but there's also a decent story for those who aren't watching exclusively for nudity. Characters are well written, lives intersect in an unforced manner, motivations are believable. Although not in the same league as some of Soderbergh's other titles (notably 'Traffic' and 'Out of Sight'), there's enough going on to warrant a viewing. Although an ex-model, he's not 'stripper material' (not that I'd know much about that sort of thing), yet there's a naturalness to his acting, which works. And Pettyfer works because he doesn't work, if you see what I mean.
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He's gone from my dud to my stud list in just two films. (Tatum again stars in a role which brings out his effortless charisma and sweetness.) McConaughey recently impressed me in William Friedkin's 'Killer Joe', and now this film has completely changed my mind about him. He no longer wishes to hold out for the phantom 10% of the business Dallas keeps promising him, but poor credit keeps him on the pole.
FREE MOVIE MAGIC MIKE XXL PROFESSIONAL
This lifestyle has lost its appeal for Mike, now 30, who only took up professional undressing to become a bespoke furniture salesman. The next three months are a non-stop orgy of girls, booze and drugs: everything a man like Adam could wish for. Dallas astutely exploits Adam's naivety by branding him 'The Kid', an amateurish, sloppy act, which the ladies love. Adam finds work on a construction site with Mike, who sees the desperation of Adam's situation and entices him to join his exotic dancing troupe, Xquisite, led by Dallas (Matthew McConaughey). He lives with his sister, Brooke (Cody Horn), whose acting conveys a suspicion of men, presumably because she has only her wayward brother as a yardstick. Adam is a congenital loser, the kind of guy who refuses to wear a tie and wonders why he can't sustain a job. As 'Magic' Mike, charming Channing Tatum naturally gets top billing, but the film revolves around Adam (rising star Alex Pettyfer). Audiences may be disparate but films are androgynous. Yes, Steven Soderbergh's latest features male strippers, and yes it will appeal more to a certain demographic, but so will every film.
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Clearly this is someone who doesn't believe in the universality of cinema. The usherette tittered when I bought my ticket.